Mark Graham, writing for New York Magazine, had some nice things to say about last night's Diane Birch show at LPR: "she dazzled a standing-room-only crowd at Le Poisson Rouge in Greenwich Village last night with a set consisting mainly of songs from her debut album, Bible Belt."
Diane Birch's (@LPR on August 18) "Fire Escape" was named one of the 18 Must-Have Songs of 2009 (So Far) by the New York Post. Of Birch the Post says:
"Diane makes my brain hurt. Her too perfect to be real talent and charisma are the things that robots are made of, yet somehow she makes it all seem achingly vulnerable and real. "Fire Escape" consists of melodies that soften the heart and a story that recalls that best of Elton John. If Diane doesn't become a huge music force, I may have to ask the world to meet me at the flagpole at recess for a huge pummeling."
Singer-songwriter Diane Birch took half her lifetime, and traveled across the globe, to get to America, where she literally found her voice and made her remarkable debut, Bible Belt. Though only in her mid-twenties, Birch likes to think of herself as an “old soul,” and indeed there is a startling maturity in her singing and a veteran’s self-assurance in her writing. Hook-driven songs like “Fools” and “Valentino” offer more than just instant gratification: they’re like your new best friends – you’ll want to get together with them as frequently as possible. Birch mixes piano-playing virtuosity with easy-going soul, and she can strike an uplifting groove on even the most melancholy tune. She knows there is nothing like dancing away the heartbreak sometimes, and she’s especially good with a bittersweet slow number, as dramatic album opener “Fire Escape” proves. Her work bears hints of Laura Nyro (when she was hanging out with LaBelle) and early 70’s Karen Carpenter (when she was ruling the charts), while effortlessly incorporating New Orleans second-line rhythms, gospel fervor, doo-wop harmonies, country-blues guitar and classic AM radio-style melodies.
Bible Belt was recorded in New York City and New Orleans with a formidable team of Grammy-winning producers: S-Curve Records founder Steve Greenberg, soul legend Betty Wright and Mike Mangini, in their first project together since the trio produced Joss Stone’s acclaimed debut, The Soul Sessions and its follow-up, Mind, Body and Soul. Among the players accompanying Birch are guitarist Lenny Kaye of The Patti Smith Group, bassists Adam Blackstone from The Roots, and George Porter of The Meters, acclaimed drummers Stanton Moore of Galactic and Cindy Blackman of Lenny Kravitz fame, saxophonist-about-town Lenny Pickett, and trombonist Tom “Bones” Malone, who also wrote horn charts. Wright contributes backing vocals, where Diane is not signing them herself, along with veteran singer Eugene Pitt, lead vocalist of fabled Brooklyn vocal group, the Jive Five.
